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A Living Collection

Curated by Katie Hood Morgan with community members and Museum staff

Ongoing
Corridor Gallery and the Sarah Bedrick Gallery

Libby Paloma, Chingona AKA Libby, from the series Lo Que No Sabías (What You Wouldn't Know), central photograph by Ace Lehner, 2019. Acquired with funds from the Alice and Horace Chandler Art Acquisition Fund

The Dorsky Museum’s collection of almost 7,000 artworks is wide-ranging and eclectic, with important artworks and material culture originating from a variety of places and periods—from ancient and Pre-Colonial civilizations through to the present-day Hudson Valley. A Living Collection proposes an alternative to the notion of a static “permanent” collection. Like a living organism, a museum’s art collection is ever-changing, its meaning shifting along with contemporary viewpoints and visitor interpretations.  

Ed Ruscha, News, 1970, screenprint, gift of Martin S. Ackerman Foundation

This display tells the story of The Dorsky collection from a range of perspectives, making space for traditionally marginalized voices and asking questions that only you can answer. We welcome you to experience the Museum as a site of discovery, critical thinking, and community. You are an essential part of The Dorsky collection’s unfolding story. 

Keiko Kubota-Miura, Facade and Essence, 1989, Copper, gift of the artist

 

Ransome, Lemonade, 2021, acrylic paint on paper, Hudson Valley Artists Annual Purchase Award (funds from the Alice and Horace Chandler Art Acquisition Fund)

Drawing connections between artworks and considering how their meanings continuously evolve with the viewer's response, a series of thematic pathways are presented which link works across time period, medium, and style. Along these pathways we invite you to find your own way and make connections from our contemporary moment into the past, from your life to the artists’ creations, enjoying the universal and timeless potential of art.   

  • Identity and the Body: What can the figures and faces shown here tell us about the artists’ experience and our shared human histories?  
  • Ecology and Natural Forms: How have artists used nature in their work to express humanity’s evolving relationship to the natural world?  
  • Social Justice: How can visual art be a tool of activism and social change?   
  • Art in the Everyday: What kinds of unexpected meanings and stories can we uncover in everyday objects and materials?  

A Living Collection features work by Berenice Abbott, Milton Avery, Mary Bauermeister, George Bellows, Richard Bosman, Laura Cannamela, Rimer Cardillo, Henri Cartier-Bresson, Shun Chaun, Gregory Crewdson, Salvador Dalî, Lesley Dill, Robert Ebendorf, Eugene Edward Speicher, Sharan Elran, Harold Eugene Edgerton, Mary Frank, Innocenzo Franucci, Antonio Frasconi, Francisco de Goya, Al Held, Juan Genoves, Leon Golub, Robert Gwathmey, Marek Halter, Lewis Hine, Utagawa Hiroshige, Willem Honing, Richard Howard Hunt, Peter Hujar, Peter Hujar, George Inness, Ellsworth Kelly, Rockwell Kent, Doug Keyes, Käthe Kollwitz, Keiko Kubota-Miura, Utagawa Kuniyoshi, Erin Lee Antonak, Doris Lee, Leon Levinstein, Glenn Ligon, Michael Lionheart, Eugene Ludins, Andrew Lyght, Danny Lyon, Patty Maho, Mollie McKinley, Lanier Meaders, Joel Meyerowitz, Kate Millet, Myra Mimlitsch-Gray, Joan Myers, Brigid O'Hanrahan, Nathan Oliveira, Libby Paloma, Judy Pfaff, John Pfahl, Ammi Phillips, Elisa Pritzker, ransome, Larry Rivers, Ed Ruscha, Ed Ruscha, Toshiaki Shimada, Hannah Small, Hannah Small, Jean-Marc Superville-Sovak, Alfonso Umaña, George Wardlaw, Andy Warhol, Benjamin Wigfall, Henry Wilmer Bannarn, Fred Wilson, Arnie Zimmerman, and artists once known.

 

 


A Living Collection

Curated by Katie Hood Morgan with community members and Museum staff

Ongoing
Corridor Gallery and the Sarah Bedrick Gallery

Libby Paloma, Chingona AKA Libby, from the series Lo Que No Sabías (What You Wouldn't Know), central photograph by Ace Lehner, 2019. Acquired with funds from the Alice and Horace Chandler Art Acquisition Fund

The Dorsky Museum’s collection of almost 7,000 artworks is wide-ranging and eclectic, with important artworks and material culture originating from a variety of places and periods—from ancient and Pre-Colonial civilizations through to the present-day Hudson Valley. A Living Collection proposes an alternative to the notion of a static “permanent” collection. Like a living organism, a museum’s art collection is ever-changing, its meaning shifting along with contemporary viewpoints and visitor interpretations.  

Ed Ruscha, News, 1970, screenprint, gift of Martin S. Ackerman Foundation

This display tells the story of The Dorsky collection from a range of perspectives, making space for traditionally marginalized voices and asking questions that only you can answer. We welcome you to experience the Museum as a site of discovery, critical thinking, and community. You are an essential part of The Dorsky collection’s unfolding story. 

Keiko Kubota-Miura, Facade and Essence, 1989, Copper, gift of the artist

 

Ransome, Lemonade, 2021, acrylic paint on paper, Hudson Valley Artists Annual Purchase Award (funds from the Alice and Horace Chandler Art Acquisition Fund)

Drawing connections between artworks and considering how their meanings continuously evolve with the viewer's response, a series of thematic pathways are presented which link works across time period, medium, and style. Along these pathways we invite you to find your own way and make connections from our contemporary moment into the past, from your life to the artists’ creations, enjoying the universal and timeless potential of art.   

  • Identity and the Body: What can the figures and faces shown here tell us about the artists’ experience and our shared human histories?  
  • Ecology and Natural Forms: How have artists used nature in their work to express humanity’s evolving relationship to the natural world?  
  • Social Justice: How can visual art be a tool of activism and social change?   
  • Art in the Everyday: What kinds of unexpected meanings and stories can we uncover in everyday objects and materials?  

A Living Collection features work by Berenice Abbott, Milton Avery, Mary Bauermeister, George Bellows, Richard Bosman, Laura Cannamela, Rimer Cardillo, Henri Cartier-Bresson, Shun Chaun, Gregory Crewdson, Salvador Dalî, Lesley Dill, Robert Ebendorf, Eugene Edward Speicher, Sharan Elran, Harold Eugene Edgerton, Mary Frank, Innocenzo Franucci, Antonio Frasconi, Francisco de Goya, Al Held, Juan Genoves, Leon Golub, Robert Gwathmey, Marek Halter, Lewis Hine, Utagawa Hiroshige, Willem Honing, Richard Howard Hunt, Peter Hujar, Peter Hujar, George Inness, Ellsworth Kelly, Rockwell Kent, Doug Keyes, Käthe Kollwitz, Keiko Kubota-Miura, Utagawa Kuniyoshi, Erin Lee Antonak, Doris Lee, Leon Levinstein, Glenn Ligon, Michael Lionheart, Eugene Ludins, Andrew Lyght, Danny Lyon, Patty Maho, Mollie McKinley, Lanier Meaders, Joel Meyerowitz, Kate Millet, Myra Mimlitsch-Gray, Joan Myers, Brigid O'Hanrahan, Nathan Oliveira, Libby Paloma, Judy Pfaff, John Pfahl, Ammi Phillips, Elisa Pritzker, ransome, Larry Rivers, Ed Ruscha, Ed Ruscha, Toshiaki Shimada, Hannah Small, Hannah Small, Jean-Marc Superville-Sovak, Alfonso Umaña, George Wardlaw, Andy Warhol, Benjamin Wigfall, Henry Wilmer Bannarn, Fred Wilson, Arnie Zimmerman, and artists once known.

 

 

Funding for The Dorsky’s exhibitions and programs is provided by generous donors and friends of the Samuel Dorsky Museum of Art and the State University of New York at New Paltz.
Photography Permission Policy: Periodically, The Dorsky Museum takes photographs and video of Museum visitors and activities for use in promotional and editorial material. All rights to the photographs and video belong to the Museum. Please notify the Front Desk if you do not consent to this policy.
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For more information contact us at sdma@newpaltz.edu
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