Infra-Loop explores the artistic practice of Kathy Goodell, whose work remains a mysterious synthesis. Associated with many movements and contemporaries, Goodell’s career charts a path and fills in the gaps of what we think about art in the ‘90s, ‘00s, and the present. Her practice has determined itself through a kind of non-specificity, one that resists easy classification and interpretation. The meaning of her work, and context through which we are to understand it, is simultaneous and withheld—west coast spiritualism meets east coast abstraction; procedural non-objectivity blends with painterly biomorphism; protean theosophy informs post-modernist contemporary. This survey of work explores the through-lines in Goodell's practice as a moving target, examining an artist that is constantly challenging and reinventing her practice.