Carl Walters and Woodstock Ceramic Arts
Curated by Tom Wolf
February 4 – May 21, 2017
Morgan Anderson Gallery
Carl Walters, Whale, 1927, glazed ceramic, private collection, courtesy of Conner-Rosenkranz, NY (photo Mark Ostrander)
The retrospective exhibition Carl Walters and Woodstock Ceramic Arts will survey the over 40-year career of Carl Walters (1883–1955), a pioneer of modern ceramic art in America. Walters made both functional objects and ceramic sculptures. The exhibition will feature prime examples of his witty and original three dimensional figures as well as his elegant plates and bowls. Curated by Tom Wolf, professor of art history at Bard College and renowned expert on the Woodstock art colony, the exhibition will also include examples of Walters’s rarely exhibited works on paper. The first major exhibition of Walters’s work since the 1950s, this show will place Walters within the context of ceramic arts in Woodstock from the Byrdcliffe colony in the early 20th century to the modernists who worked in Woodstock in the 1920s and 30s. Today, when ceramic sculpture plays a vital role in the contemporary art world, this exhibition will bring attention to one of the most prominent early practitioners of the medium in the United States.
Sara Greenberger Rafferty: Gloves Off
Curated by Andrew Ingall
February 4 – May 21, 2017
Sara Bedrick Gallery
Sara Greenberger Rafferty, Jokes on You, 2016 (detail), Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, courtesy of the artist and Rachel Uffner Gallery. Photo: JSP Art Photography
The exhibition Sara Greenberger Rafferty: Gloves Off will present recent work by the Brooklyn-based artist known for unsettling works that contend with topics such as domesticity, the body, consumer culture, fashion, and violence. Over the past decade, Rafferty (b. 1978) has referenced the language, gestures, and props associated with stand-up comedy using a variety of media. Her new objects—blurring the lines between two and three dimensions—feature images printed on acetate which are then painted and mounted on irregular, hand-cut Plexiglas. To complete this intensive process, Rafferty mounts the work to walls using custom-painted screws that disrupt and “wound” its surface. The exhibition will also premiere a video based on research conducted as part of a 2015-16 Smithsonian Artist Research Fellowship. The boxing term “gloves off”—frequently used as a metaphor for brutal political campaigns and post-9/11 military interrogation—also aptly describes the more subtle aggressions in American popular culture which Rafferty lays bare.
The show is organized by independent curator Andrew Ingall, whose exhibition Videofreex: The Art of Guerrilla Television was on view at The Dorsky in 2015. After its presentation at The Dorsky, a related exhibition travels to the University Art Museum (UAM), the State University of New York at Albany, opening on June 30, 2017.
Intimately Unfamiliar: New Work by SUNY New Paltz Art Faculty
Curated by Michael Asbill
January 25 – April 9, 2017
Alice and Horace Chandler Gallery and North Gallery
Matthew Friday, Eat Your Sidewalk, 2016, chalkboard, mobile research platform, books and photographs, courtesy the artist
Intimately Unfamiliar, an exhibition of new work by the fulltime art faculty of the State University of New York at New Paltz, presents a wide-range of projects in many mediums, utilizing a myriad of technologies, on many subjects. The breadth of this show, which presents work by over 20 artists, would suggest little likelihood of a common thread. But on close inspection, one discovers that the work in this exhibition is connected by a tension that exists between recognizable objects, situations, places, and spaces that we encounter every day and the startling degree to which the ordinary is complicated, fascinating, possibly misleading, and most likely unknowable.