The museum has re-opened and there are new guidelines for visiting.
Read more here.
Kathy Goodell: Infra-Loop, Selections 1994–2020
Lewis Hine, Child Labor Investigator
DIRT: Inside Landscapes
The Dorsky Collects: Selections from the Permanent Collection ongoing
(Image credits (top to bottom): Kathy Goodell, Voyager, 2020, courtesy the artist; Lewis Hine, Sadie Kelly, 11 years old, Peerless Oyster Co., 1911, Samuel Dorsky Museum of Art; John Pfahl, Salt Pile with Bagels, South Buffalo, NY, 1976, Samuel Dorsky Museum of Art; Ammi Phillips, Untitled, ca. 1848–1860, Gift of Shari Hubner, 2015.062)
FILM SCREENING
Sunday, April 18th, 1pm: Watch Party and Discussion of “Contralto,” groundbreaking composer Sarah Hennies' highly regarded one-hour work for video, strings, and percussion, and featuring a cast of transgender women. The work will also be streamed for one week, from April 16th – April 23rd.
Learn more on the event page.
News
Amy Fredrickson on Lewis Hine and child labor on La Voz con Mariel Fiori (Radio Kingston)
Dorsky Museum Shows Landscapes (Chronogram)
SUNY New Paltz exhibit explores 'Collective Consciousness' of 2020 (Record)
4 Exhibits to View in February (Chronogram)
“Infra-Loop, Selections 1994–2020” opens at The Dorsky Museum (HV1)
Digital Dorsky
We have recorded many of our past virtual events: curator and artists talks, panel discussions, and more.
See a listing and find links at our Digital Dorsky page.
You can virtually visit our 2020 exhibitions, find links here.
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and the State University of New York at New Paltz.
SELECTION FROM THE COLLECTION
Mary Frank, Poppies, ca. 1980
British-born American artist Mary Frank (b. 1933) is best known for her abstract paintings and sculptures, and she is recognized for her dramatic and expressive subjects. Her artistic career spanned... (more)
Explore our collection online!
Photography Permission Policy: Periodically, The Dorsky Museum takes photographs and video of Museum visitors and activities for use in promotional and editorial material. All rights to the photographs and video belong to the Museum. Please notify the Front Desk if you do not consent to this policy.
